I love being introduced to new music by friends. It feels like a gift—especially when it becomes something you can share, unpack, and return to together. Not just the sound, but the lyrics, the intent, the meaning behind it all.
My friend Arthur recently introduced me to VNV Nation—“Victory Not Vengeance.” That ethos isn’t just a name; it’s embedded in Ronan Harris’s lyrics and perspective in a way that feels grounded, intentional, and deeply human. Ronan is the frontman and founder of VNV Nation.
I’m honestly surprised I hadn’t come across them before. Given my leanings toward techno and adjacent genres, you’d think our paths would have crossed sooner, but I haven’t spent as much time in industrial or EBM spaces, and somehow they passed me by.
What I do know is this – I’m glad I’ve been introduced and that they didn’t pass me by.
I’ve put together a playlist of tracks that have really landed with me—not just because of the production, which is absolutely outstanding, but also because of the emotional weight carried in the lyrics.
Listening to VNV Nation—and to Ronan speak about his work—has made me reflect on my own music as Polyatomic.
There’s a parallel there: the idea of creating from a place of honesty, of putting emotion into the music first, writing from the heart and letting everything else follow. If it resonates, it resonates. Exploring different styles and inspirations for our albums.
I’m going to be heading into production on my fifth full-length studio album and I admit, I’d can feel a pull to go in a Futurepop direction and while I don’t have the hardware list that VNV Nation has, I have more than enough to carve out my own interpretation of that sound.
In some respects, I’ve already brushed up against it. Take a listen to my Techknow album, there are hints of that direction—ideas that could be further refined. I wrote that album as a thank you to time I’ve spent in Berlin, and also a chance to decompress with something looser, more exploratory and less concerned with polish after releasing Icebergs which was an intense and emotional production and body of work.
Incidentally, Techknow was heavily hardware-based too.
I’ve always gravitated toward strings, pads, and piano—layering in an acid line here and there, building something cinematic, sometimes trance-like. I say I’ve never really identified with harder-edged electronic styles in my body of work, but honestly, you can hear there’s something that’s been waiting to be released and I’m ready to go there, to really explore.
And I think VNV Nation has shown me you can take an album like Strength, add harder elements and create thoughful and joyous music that takes a listener on a journey.
This feels like a natural evolution rather than a departure and it’s something I want to explore more intentionally.
I know I’m on the right path with Polyatomic and what I want it to represent, the emotion that project conveys.
I’ve always said my next album was likely to be called Hardware and feature more of my hardware as I’ve been heavily soft-synth oriented. I really do want to explore analogue synthesis more, which I think will take me more in an experimental direction. I’ve been mulling other titles as well given recent events in my life that I know will greatly impact the sound of my next album.
Arthur and I are going to see VNV Nation live in Toronto, in May. I’m really looking forward to sharing that experience—with him, with the crowd, and with music that, in a short time, has already become something quite personal to me.
My first music video drops tomorrow for Terra Nova which was released on Icebergs, finally getting a video treatment it was supposed to receive years ago.






